Insightful and informed by a deep knowledge and dedication to ‘auteurship,’ Stubbs goes far beyond what one usually finds in film studies. Stubbs presents the most thorough, comprehensive, and in-depth treatment to date of the entire cinematic oeuvre of Fellini. “Federico Fellini as Auteur is a significant piece of scholarship that is unlikely to be surpassed for quite some time. When he is good, he is very good, and his sensitivity to the nuances of Fellini’s films is admirable: no trendy jargon, just good, honest criticism that makes the reader see Fellini in a new light.”-Peter Bondanella, author of The Films of Federico Fellini Here, Stubbs shines and provides analysis that no other scholar has done better or more thoroughly. Stubbs does not follow the tradition of the one film/one chapter format employed by most auteur authors, he opens wide the discussion on interesting topics. “Federico Fellini as Auteur adds new and important criticism to the literature on the filmmaker. Although he’d become best-known for his extravagant style, Fellini cut his teeth in the neorealist era of the 1940s and 50s, when Italian filmmakers broke new ground for realism on screen, taking their camera onto the streets to document the social realities of life after the Second World War. Renowned Italian director Federico Fellini (19201993) conjured a cinema of dreams that defined the style of post-war Italy. One of the greatest films about film ever made, Federico Fellini’s 8 marks the moment when the director’s always-personal approach to filmmaking fully embraced self-reflexivity, pioneering a stream-of-consciousness style that darts exuberantly among flashbacks, dream sequences, and carnivalesque reality, and turning one man’s artistic crisis in.
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